Classics

Fidelio - Ludwig van Beethoven
Promenade Opera Project, Boston (2020)

La Sonnambula - Vincenzo Bellini
Promenade Opera Project, Boston (2019)

Cendrillon - Jules Massenet
Promenade Opera Project, Boston (2018)

Pericles – William Shakespeare
Brown MFA Thesis, RI (2015)
The Brick Theatre, NYC (2017)

Antigonick - Anne Carson
Panorama, Philadelphia, PA (2016)

The Crazy Locomotive – Stanislav Witkiewicz
Hangar Theatre Wedge, Ithaca NY (2015)

Stuart Little – E.B. White
Hangar Theatre Kiddstuff, Ithaca NY (2015)

Cavalleria Rusticana (Concert Staging) – Pietro Mascagni
Pioneer Valley Symphony, Northampton MA (2015)

Tooth of Crime – Sam Shepard
Brown MFA, RI (2014)

Twelfth Night – William Shakespeare
Brown MFA, RI (2013)

At the Hawk’s Well – W.B. Yeats
Mohawk Arts Collective, Maine (2013)

Bus Stop – William Inge
Brown MFA, RI (2013)

Assisting

Tristan and Isolde – dir. Daniel Kramer
English National Opera, London (2016)

The Serpent – dir. Daniel Kramer
Brown MFA (2014)

The ELEKTRA Project - dir. Daniel Kramer
Brown MFA (2014)

Jedermann – dir. Brian Mertes & Julian Crouch
Salzburg Festspiele, Austria (2013)

Social Creatures – by Jackie Sibblies Drury
dir. Curt Columbus
Trinity Rep, RI (2013)

The Seagull – dir. Brian Mertes
Lake Lucille, NY (2012)

The Inexplicable Redemption of Agent G – by Qui Nguyen
dir. Robert Ross Parker
Vampire Cowboys, Incubator NYC (2011)

Tin Pan Alley Rag – dir. Stafford Arima
Roundabout Theatre, NYC

Teaching

St. Joan of the Stockyards - St. Ann's High School, NYC, 2018
Directed St. Joan of the Stockyards by Bertolt Brecht for St. Ann's High School, with a cast of 30 students.

First Folio Technique Workshop - Philadelphia, PA 2016
An exploration of the First Folio Technique, which uses the original punctuation of Shakespeare's texts as a score for breath and phrasing. I combine this with a physical theater approach to create language that is responsive and moving at the speed of thought.

Viewpoints - Hangar Theatre Lab Company, Ithaca, NY 2015
Two week progression through the Viewpoints. Emphasis on the actor's function in the stage composition, and how to use these tools to make powerful choices in any type of play.

First Year Directing TA - Brown/Trinity MFA, 2015
Script analysis, table work, composition for the stage, developing a design world, approaching the rehearsal process, generative and nonlinear work.

Devising - Progressiva Latina HS, Fall River, MA, 2013
As part of Theatre for Social Change course with Erik Ehn, worked with students to devise, write, and perform an original play about food in their life.

Devising - Brown University Theatrebridge, 2007
Worked with high school students on theater devising tactics, and directed them in the creation of their own original work.
 

New plays

My Favorite Pair of Shoes - Lee LeBreton
Double or Nothing, New York Neo-Futurists (2018)

The Fall of All Atomic Angels - Zach Rufa
The Public, Brooklyn College Weasel Festival, NYC (2017)

The Stripperers - Eryk Aughenbaugh
The Public, Brooklyn College Weasel Festival, NYC (2017)

Planeta Solitario - Diego Gomez
University of New Mexio, Albuquerque, NM (2018)

Brideshead Obliterated - Lee LeBreton
Dixon Place, NYC (2017)

sixsixsix – Gregory S. Moss
Magic Futurebox, NYC (2012), AXA Festival, Prague (2011)

A Campfire Requiem – Rick Burkhardt
95 Empire, Providence RI (2014), HERE Arts Center (2017)

The Future Perfect version alpha — Adam Scott Mazer
BRIC Biennial, Five Myles Gallery, NYC (2016)

Old Bones - Lee LeBreton
Multimedia journey through Brooklyn, NYC (2016)

Angels All Die - Denise Hinson
University of New Mexico, Albuquerque, NM (2016)

Earth - The Element 24-hour Plays - Jim Hawkins
Philadelphia Theatre Company, Philadelphia, PA (2016)

The Dying Days of Viktor Castle - Antoinette Nwandu
Dreamscape Theatre workshop, NYC (2015)

From the Wood’s Edge – Devised
Mohawk Arts Collective, Maine (2014)

DEATH VALLEY – Adam Scott Mazer
Bushwick Starr, NYC (2011)

Luxembourg – Claire Kiechel
Lunar Energy Productions, NYC (2012)

The Sound – Sam Alper
13th St. Rep, NYC (2011)

If the Fates Allow – Daniel Reitz
Jimmy’s No. 43, NYC (2010)

Training and Fellowships

Brown/Trinity Directing MFA, 2015
Brian Mertes, Melissa Kievman, Daniel Kramer, Joanna Settle, Jim Findlay, Julian Crouch, Vivienne Benesch, Michael Krass, Daniel Stein, Brian McEleney, Stephen Berenson, Thom Jones

Primitive Voice Workshop, 2016
A week-long intensive with Jean-René Toussaint in his psycho-physical Primitive Voice technique, organized by the Wilma Theatre.

Drama League Directing Fellow, 2015
Summer fellowship at the Hangar Theatre.

Summer Research Grant, 2014
Studied German theater and opera in Berlin.

Double Edge Theatre, 2013
Grotowski ensemble in Western Massachusetts.

ESPA at Primary Stages, 2010
Viewpoints with Kim Weild, Site-Specific Directing with Daniel Talbott

Brown University, Theatre Arts BA, 2008
John Emigh, Spencer Golub, Rebecca Schneider, Lowry Marshall, Ken Prestininzi

Production

Co-Founder of AntiMatter
Director, script development, producer, contracts, budgeting, fundraising, web design, marketing, international tour organizer.

AntiMatter Production Manager – 2015
The Tower at HERE Arts, NYC. Manage $40k+ budget, track fundraising and expenses, negotiate contracts, make staff hires, project management, and scheduling.

Vampire Cowboys General Manager – 2011-2012
Contracts, space management.

Woodshed Collective Tech Director – 2009
The Confidence Man, a site-specific production on the USS Lilac, a 174′ cast-iron steamboat.

Roundabout Theatre Artistic and Literary Intern – 2008
Assistant for readings directed by Pam MacKinnon, Michael Wilson, and Doug Hughes. Literary development.